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Judy Chicago
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles. By 1968, the year she began creating Domes , the twenty-nine-year-old artist had moved from Chicago to Los Angeles, graduated from UCLA, and was part of a generation of artists whose work was characterized by of the masculine overtones of Southern California’s flourishing car culture. Inspired by new technologies in the auto manufacturing, these “Finish Fetish” artists appropriated industrial materials such as car paint or lacquer to create artwork with pristine finishes.
Judy Chicago
- location: Belen, New Mexico
- year born: 1939
- gender: female
- nationality: American
- home town: Chicago, Illinois
© » THE ARTBLOG
about 3 months ago (01/25/2024)
Artblog | Talking with Diane Burko and Judy Brodsky about FOCUS (1974) and (re)FOCUS (2024), two major women’s art festivals Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact Talking with Diane Burko and Judy Brodsky about FOCUS (1974) and (re)FOCUS (2024), two major women’s art festivals By Susan Isaacs January 24, 2024 Susan Isaacs's interview with the two founders of the FOCUS festival, staged in Philadelphia in 1974 provides insights into the origins and significance of (re)FOCUS 2024, a celebration marking 50 years of women in the visual arts....
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about 5 months ago (12/07/2023)
50 Years Ago, Barbara Nessim Broke Illustration’s Glass Ceiling Skip to content Barbara Nessim, “A Maze From Above” (1970), pen and ink and watercolor on paper, 14 x 10 1/4 inches (all images courtesy Derek Eller Gallery unless noted otherwise) Artist, illustrator, and designer Barbara Nessim is one of very few women who found full-time work in the American editorial and commercial arts sphere during the 1960s...
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about 5 months ago (12/05/2023)
Women’s Oppression Is the Earth’s Oppression Skip to content Laura Aguilar, "Nature Self-Portrait #5" (1996) (© Laura Aguilar Trust of 2016) LONDON — The tradition of landscape photography is entwined with a patriarchal settler-colonial perspective...
© » ARTREPORT
about 101 months ago (01/23/2016)
Betty Tompkins Presents 1,000 Different Ways to Describe a Woman – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result Betty Tompkins Presents 1,000 Different Ways to Describe a Woman by Jenny Held Jan 26, 2016 in NEWS 0 Betty Tompkins Exhibit...